GayHeroes.com: Gay and Lesbian People in History |
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The ultimate renaissance man, Leonardo was felt to represent not only humanity but also divinity itself. His famous drawing of Vitruvius Man demonstrates the perfection of the proportions of the human figure. Besides his amazing notebooks, he created the most famous religious painting in the world and, of course, the most famous portrait ever. |
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<< We always think of Leonardo like this famous self-portrait, but you figure he must've been young once. The following is from Serge Bramly's great book about him: No other personality was so intimidating, no other career so difficult to encompass, so biographers often resort to the assumption that Leonardo embodied some superhuman quality: "il divino". Vasari (a contemporary biographer of Leonardo) writes "there is something supernatural in the accumulation in one individual of so much beauty, grace, and might. With his right hand he could twist an iron horseshoe as if it were made of lead. In his liberality, he welcomed and gave food to any friend, rich or poor." His kindness, his sweet nature, his eloquence ("his speech could bend in any direction the most obdurate of wills") his regal magnanimity, his sense of humor, his love of wild creatures, his "terrible strength in argument, sustained by intelligence and memory," the subtlety of his mind "which never ceased to devise inventions," his aptitude for mathematics, science, music, poetry. What's more, Leonardo was a man of "physical beauty beyond compare." |
When he was twenty-four years old, Leonardo was arrested, along with several young companions, on the charge of sodomy. |
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But don't just
take MY word for it.... From Serge Bramly,
Leonardo: Discovering the Life of Leonardo Da
Vinci (1991): Among several citations
under "Homosexuality" in the index are the
following: "Yet while no definite
proof exists of Leonardo's homosexuality, there are
plenty of indications, in his drawings as well as
in his writings, that he was attracted to males,
and, as Freud puts it, 'doubtful whether he ever
embraced a woman with love'." p. 119 "There is no record of any
woman in his life -- not even a female friendship.
On the other hand, he was soon surrounding himself
with a constantly renewed court of remarkably
beautiful young men." p. 119 There follows six pages on
Salai, one of Leonardo's "remarkably beautiful
young men", starting at p. 223. So there
is no doubt that Mr. Bramly thinks that Leonardo
was gay.
From Michael White,
Leonardo, The First Scientist
(2000): "He [Leonardo] was
a homosexual vegetarian born out of wedlock who
received very little formal education and was
excluded by birthright from almost all
professions." p. 7 About the sodomy
accusation, he writes: "It is possible that up to
this time he had felt no real guilt about his
homosexuality, that it had either been natural to
him, or else he accepted it as part of his
self-image; after all, there were certainly plenty
of role models [in other Florentine
painters] for him." p. 72 In describing Leonardo's
relationship with Lorenzo de Medici, White
writes: "Lorenzo was heterosexual,
later described by Machiavelli as "incredibly given
to the pleasures of Venus". Leonardo was homosexual
with a very public sodomy trial behind him.
However, it is certain the different sexual tastes
of the two men would not have been a major factor
in the progress of their relationship. After all,
Lorenzo actively encouraged at least one other
homosexual artist, Michelangelo, giving him a
string of commissions and even opening his homes to
him, treating him almost as a social equal." p.
83-84 Then, writing about Salai,
White says: "Biographers have skirted
the issue of Leonardo's relationship with Salai
because it has been a subject too sensitive to
investigate candidly. Kenneth Clark, writing in the
1930s, simply refers to the relationship by saying
"these facts... inevitably suggest that his
relationship with the master was of a kind honored
in classical times, and partly tolerated in the
renaissance, in spite of the censure of the
Church." p. 137 "... Giacomo [Salai's
real name] soon became a fixture in his life
and was hardly to leave his side for the next three
decades. From his actions and the way Leonardo
treated him, Salai played the role of son, friend,
helper, and quite possibly, lover." p.
137 So there
is no doubt that, like Mr. Bramly, Mr. White thinks
that both Leonardo and Michelangelo were gay. So if
you include Kenneth Clark, the British art
historian whom White quotes, there's three experts
right there who think Leonardo was
gay. |
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Have you heard of Sister Wendy? She is an English nun who became an art expert and made several BBC TV shows. Sister Wendy attributes the knowing smile of the Mona Lisa to the subject's sharing of a private joke with the artist: they both know he is gay. She says something like, here this beautiful noblewoman was sitting for her wedding portrait, and she and the artist both knew getting married was something Leonardo would never do, because he was gay, and they both saw the humor and irony in it, hence the mysterious smile. Get Sister Wendy Beckett on video or DVD and hear her discuss the Mona Lisa. |
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Leonardo's friend Machiavelli, the Florentine statesman who is famous for his advocacy of unscrupulous political opportunism, had a son, Ludovico, who apparently had a boyfriend. Machiavelli wrote to a friend to ask what he should do about it. The friend, who was Florence's ambassador to the Papal Court, replied: "Since we are verging on old age, we
might be severe and overly scrupulous, and we do not
remember what we did as adolescents. So Ludovico has a boy
with him, with whom he amuses himself, jests, takes walks,
growls in his ear, goes to bed together. What then? Even in
these things perhaps there is nothing
bad." |
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His notebooks show the amazing diversity of Leonardo's intellect. |
For mature viewers only.... Apparently, Leonardo included some sexually explicit drawings among the thousands in his notebooks. |
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jay@gayheroes.com Date Last Modified: 2/1/05 |
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Some of 'em? All of 'em? None of 'em? |