GayHeroes.com: Gay and Lesbian People in History
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Since Italy was dominated by composers like Vivaldi and Corelli, and Germany had Bach and Telemann, Handel made a canny move and achieved fame and fortune by bringing opera in the Italian style to England. He also created magnificent instrumental works such as "Water Music" and "Music for the Royal Fireworks". An amazing keyboardist, he wrote organ concertos and was famous as an improviser. He fell on hard times when Italian opera went out of style, so he switched to oratorios, which are sung but not acted. Pensioned by the king and idolized by the public, his "Messiah" remains the greatest and most popular religious composition of all time. |
What did Handel look like? | |||
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Wildly famous in his lifetime, Handel had several portraits done so these are probably pretty accurate. He looks like a jolly, jowly guy, and his music has a sense of joy and energy that was called "the open and manly style of Handel". He had a temper and cussed like a sailor in heavily-accented English, but a contemporary biographer said when Handel smiled, "there was a sudden flash of intelligence, wit, and good humor beaming in his countenance which I hardly saw in any other." |
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Herbert Weinstock calls Handel "one of the most majestic, tender, and human voices ever lifted in praise of life, of love, of beauty, and of the art of music." |
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"I have no time for anything but music" was Handel's reply to George II's question about his "love of women." But the composer's sovereign was neither the first nor the only of Handel's contemporary admirers and associates to wonder about his sexuality. Scarcely twenty pages into his narrative, Handel's first biographer, Christopher Mainwaring, feels obliged to address the same question: "In the sequel of his life he refused the highest favors from the fairest of the sex, only because he would not be confined or cramped by particular attachments." Later biographers, from Chrysander (1858) to Hogwood (1984) have either ignored the question of Handel's homosexuality or chose to explain it away. The most striking example of the latter is provided by Paul Henry Lang (1966), who after recognizing Handel's sexuality to be a "problem" which has "puzzled his biographers for two hundred years" is able to assure us, virtually without evidence, that the composer, although lacking "time for serious engagement with women" was a man of "normal masculine constitution". Gary C.
Thomas |
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Hey! Wanna hear some Handel? Sample "Hallelujah Chorus" from Messiah |
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jay@gayheroes.com Date Last Modified: 01/12/10 |
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