New studies of the
medieval texts that first recorded his deeds suggest that
the robber with a heart of gold was actually a gay outlaw
who had been exiled from "straight" society. Little John,
not Maid Marian, was his true love.
The
revelation flies in the face of Kevin Costner's portrayal of
the outlaw in "Robin Hood: Prince of Thieves", and suggests
that the title of Mel Brooks's film "Robin Hood: Men in
Tights" may have been closer to the mark.
The
reassessment is based on studies of the 14th-century ballads
of Robin Hood, the earliest known accounts of his deeds,
which detail his relationships with his "merrie men",
especially Little John and Will Scarlet.
Stephen Knight, professor
of English literature at Cardiff University, said the
ballads, the first and most authoritative accounts of Hood's
deeds, had clear homoerotic overtones.
He
said: "Robin Hood and his men are all very male and live
exclusively without women.
The ballads could not
say outright that he was gay because of the prevailing moral
climate, but they do contain a great deal of erotic imagery.
The green wood itself is a symbol of virility and the
references to arrows, quivers and swords make it clear,
too."
The ballads were written
in Chaucerian English, made more complex by a strong
dialect. One translation includes the verse: "When Robin
Hood was about 20 years old; he happen'd to meet Little
John; A
jolly brisk blade right fit for the trade, for he was a
lusty young man."
The ballads also show
that Maid Marian - usually depicted as Hood's true love -
never existed.
Knight believes she was
added by 16th-century authors who wanted to make their works
more respectable to heterosexual readers. He will present
his research to fellow academics in a paper called "The
Forest Queen" at a three-day conference in Nottingham
organised by the University of Glamorgan this
week.
The conference will
include trips to places where Robin Hood and Little John are
said to have lived together.
In
modern times Hood has been depicted as a minor aristocrat
who becomes an outlaw after his lands were confiscated in
the 1190s by King John. He fights against the unjust king
and his lackeys, famously stealing from the rich to give to
the poor.
He is finally
rehabilitated when Richard Lionheart, the rightful king,
returns from the Crusades and makes Hood the first Earl of
Huntingdon, a title that still exists.
The
ballads, however, suggest a different story. They indicate
that the real Hood almost certainly came from yeoman or
peasant stock, that he roamed Nottinghamshire and Yorkshire
in the late 13th or 14th century and that his popularity
came not from giving away money but from his ability to
flout authority.
One
of the earliest works, "Robin Hood and the Monk", written
anonymously in about 1450, describes the intimate friendship
between the outlaw and Little John. It depicts them having a
row over money that Knight describes as "almost
domestic".
It is resolved only when
Little John rescues his leader from their enemies. Similar
themes are explored in "Robin Hood and Guy of Gisbourne" -
again Hood and Little John fall out but are
reunited.
Some historians believe
that Hood was a genuine character,but that ballads have been
embellished with the exploits of other outlaw gangs, among
many of which homosexuality would also have been
common.
Barry Dobson, professor
of medieval history at the University of Cambridge, agrees
with Knight that the relationship between Hood and John in
the ballads is "ambiguous".
He
said the 13th century had seen increasing oppression of
gays: "In the 12th century homosexuality was accepted, but
in the 13th the church became much less tolerant and such
people were driven underground."
Peter
Tatchell, spokesman for the gay rights group Outrage!, which
became notorious for exposing prominent people who had not
declared their homosexuality, said the outing of Hood was
long overdue.
"His lifestyle alone was
enough to provoke speculation," he said. "It's about time
school history lessons acknowledged the contribution of
famous homosexuals."
But the idea that the
tales of Robin Hood should be given a gay twist horrifies
those used to seeing him as being "straight as an
arrow".
Mary
Chamberlain, secretary of the Robin Hood Society, accused
the academics of trying to make their name at the expense of
England's best-loved folk hero. She said: "Robin remains a
highly regarded figure the world over and children like to
play at being Robin Hood. These claims could do a lot of
damage."
Hood's alleged
descendants may also be dismayed. The Huntingdons' pride in
their ancestry led to the current earl and his father
both being given "Robin Hood" as their middle
names.
This weekend, however,
the current earl, William Edward Robin Hood Hastings Bass,
swiftly distanced himself from the "gay" outlaw, claiming
that they were not related after all.
He said: "It's a nice
myth that Robin Hood was the first Earl of Huntingdon, but
there is no historical evidence that he really was linked to
my family."
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